A botanical garden that never existed, but an entire restaurant preserves its memories.
At The Azulian House, the restaurant at Leela Palace in Bengaluru, designer Shruti Jaipuria's team built the space around the story of an imaginary botanist.
According to Jaipuria, five-star hotel restaurants typically follow a similar spatial layout and offer a familiar experience to guests, but The Azulian House consciously opted for a different approach. The aim was to create an innovative concept, focused on experience and design, with enough personality to transport guests to a completely different world from the moment they entered.
The story of Bengaluru's new restaurant unfolds from room to room, almost as if one were being guided through the rooms of a house. First, a deliberately intimate foyer welcomes visitors with floral wallpaper, gilded mirrors, and candlelight, setting the tone of the interior from the outset. From here, one enters the space that functions as both a living room and dining room, where the proportions change dramatically: the ceiling height rises to nearly eight meters above the pale green latticework structures, the view of the gardens through the glass surfaces is also integrated into the interior, and the eight-person omakase bar is specifically designed for a more direct social experience.
Venturing further in, the space becomes more intimate, leading to the Greenhouse, a hexagonal room tucked away in a corner of the building. Here, architecture and vegetation blend seamlessly, and from here opens onto the Orchard, an open-air dining area shaded by fruit trees. This zone creates a much more informal and natural atmosphere, as if the carefully designed interior spaces gradually merge with the surrounding garden.
Nestled within the lush gardens of Leela Palace, the restaurant's spaces are connected by botanical elements, but the concept extends far beyond that, reaching all the way to Peru. The influence of the South American country is evident not only in the food but also in the use of materials and subtle references to the Amazonian landscape and folklore. Jaipuria, however, deliberately opted for a discreet approach to these motifs. The studio's work is characterized by subtlety and nuance, so the challenge was to maintain a unified visual richness that was easy to interpret, rather than allowing it to become mere decoration. Just enough Latin American details were introduced to connect the interior with the Peruvian-inspired culinary concept, while avoiding an overly thematic and contrived effect.
Lighting also plays a fundamental role in creating the ambiance: the spaces at The Azulian House are designed to generate an intimate, homey, almost cozy feeling. Table lamps, wall sconces, an art deco chandelier, and reflective surfaces multiply the light, which is the main element defining the atmosphere. The shadows and textures of the materials thus become as defining elements of the interior as the furniture itself.
Every detail of The Azulian House feels like part of a unified and carefully crafted story: from the menus and staff uniforms to the lighting, everything reinforces the same concept. For a studio known for its more understated aesthetic, the project also represents an experiment in how to maintain richness and detail within a conscious framework. The Azulian House demonstrates that even a five-star hotel restaurant doesn't have to follow the usual patterns if there's a story strong enough to be spectacular and meticulously executed.
